Thursday, 28 March 2019

Cloudesley Shovell Henry Brereton (1863 – 1937) – British writer and poet

Cloudesley Shovell Henry Brereton was born in Norfolk in 1863.  He was baptised on 10th January 1864.   His parents were Henry Shovell Brereton and his wife, Emma Brereton, nee White. The family home was Briningham House, Melton Constable, Norfolk.

Cloudesley studied at Cambridge University and gained an MA, before going to study in Paris and Lille.  He then became a teacher: and taught at Perse School, Cambridge 1886 – 1887, Heath Grammer School Halifax, Yorkshire, 1888 – 1890, Clergy Orphan’s School, Canterbury 1891 – 1893, Queen Elizabeth’s College, Guernsey 1893 – 1895. He was a Temporary School Inspector with the Irish Intermediate Board  from 1901 until 1903 and then Divisional School Inspector with the London County Council from 1905 until 1928.  In 1901 Cloudesley published a book entitled “The Educational Crisis in England”.  In 1914, Cloudesley published “Who Is Responsible? Armageddon and After!"

On 12th November 1904 in St. Paul’s Cambridge, Cloudesley married Maud Aedline Horobin, nee Ford, a widow - see http://inspirationalwomenofww1.blogspot.com/2018/12/maud-adeline-cloudesley-brereton-1872.html

Cloudesley retired to Briningham House in Norfolk and became a farmer before his death in 1937.

A prolific writer who published several books, Cloudesley’s WW1 poetry collections were “The Norfolk Recruit’s Farewell: a ballad” (Jarrold, Norwich, 1917) and  “Mystica et Lyrica” by Cloudesley Brereton (Elkin Mathews, London, 1919).  Some of the poems from “Mystica et Lyrica”:


THE CONSCRIPT FATHER

ON GOING TO THE WAR  To Henry Newbolt

THE busy thoughts that issued bright
From smithies of my brain,
Still serve as weapons in the fight,
Though I myself be slain.
The love I laid up in your breast
Knows neither moth nor rust,
But bears an ample interest,
Though I myself be dust.
And that dear soul, wherein we trace
Our common love, will learn
With you the duties of his race,
Though I no more return.
And so, unto the worst inured,
I go where thousands go,
My love and hope alike secured,
To pay the debt I owe.


TO FRANCE
12th JULY 1918

To M. Lucien Poincare

HAIL, gracious land, where North and South keep tryst,
Where rivalling sea and land have met and kissed ;
O temperate land, whose people temperate
Seem born between mankind to mediate,
Frank, sympathetic, hospitable and free
Like thy broad valleys winding to the sea ;
Yet in their souls as fierce a fire doth burn
As that beneath thy central core, Auvergne ;
O land where freedom sows her deathless seeds,
Where clear-eyed vision leads men straight to deeds ;
Torch-bearer of the Arts whose steady light
Through the dark Ages lit our western night ;
Skilled in the lore alike of war and peace,
Mistress of all the charms of ancient Greece,
Steeped in the statecraft of Imperial Rome,
To every race a second land and home,
Who gladly reverence thy hegemony
That seeks to make them free as thou art free.


THE DESERTED COUNTRY HOUSE
A WAR-VACANCY '
To the Dowager Lady Hastings

THE tall trees fan themselves in the heat,
There is not a cloud in the sky:
No sound is heard save the drowsy beat
Of the gnats’ winged revelry.
The very air seems drugged with sleep,
And afar through its shimmering net
The shadowy hill-tops flicker and peep,
In a moving picture set.
The deer take sanctuary in the shade,
Or deep in the water stand.
Beneath the sun’s fierce fusillade,
(I I) The Park is a No-man’s-land.
The rose-trees languish under the drought,
The tired creeper sags ;
Alone the irises hold out
Amid the drooping flags.
The old house doses away in the blaze
In its solitude, silent and stern,
And dreams of the glories of by-gone days
And the race that will never return.

THE APOLOGUE OF A BLIND MAN AND

DEATH SCENE : A Battle-field Cemetery
To Fabian Ware, Director-General of Graves Registration

BLIND MAN'

THE ground seems rocking under my feet,
It breaks in a thousand waves.

DEATH

Old man ! you stand on the shores of a plain
That is scored with a thousand graves.

BLIND MAN

Oh ! what is it makes that the tranquil earth
Like an ocean thus swells and heaves ?

DEATH

The tide of battle swirled over the spot,
And these are the furrows it leaves.
And every furrow holds fast a man,
And the myriads rotting there,
If one could call them again to life,
Would replenish a hemisphere.
But their lights are quenched, and the ground they drenched
With their spendthrift blood may bear
A more plenteous crop of darnel and dock
To blow o’er their lonely lair.

BLIND MAN

O liar of liars ! Infamous Death !
Their bodies lie fast in your hold,
But the hearts that have felt the passionate beat
Of their hearts can never grow cold.
By the inner light you cannot quench,
I know as sure as I breathe,
They have left us the best in themselves, which we
In turn to our sons may bequeath.
Here is an epoch garnered up,
That on the vacant land
Another may spring — but the seed is the same,
Though sown by a fairer hand.
What lies buried here is the grief and the fear
And the tangled tares of hate,
These are the things that men lay on your bier,
But not their immortal state.



ODE TO FRANCE To his Excellency M. Paul Cambon 

OH FRANCE, the dauntless, the indomitable,
Mighty in victory, mightier in defeat,
As when thy soldiers in that stern retreat
From Maubeuge, Lille, and Argonne turned and fell
Upon the presumptuous foe and thrust him back pell-mell.

Or when, by internecine fever torn
And enemies without encompassed,
Like a sick woman rising from thy bed
Thou ledst thy sons to Vahny, on whose morn
Amid thy thundering guns Europe anew was born.

Hail land where thought, not impulse, action guides,
Where though men prize their nation as a whole,
They deem of boundless worth the humblest soul,
Where strength with weakness, not with strength, takes sides,
And Reason rules the folk, but Mercy’s word decides.

And yet ’tis not thy Rhone, Garonne or Seine,
Thy central peaks, thy Vosges or Pyrenees,
Or enfilading Alps or circling seas,
Or vine-clad valleys or broad Northern plain
That wrought in thee this singleness of heart and brain.

’Tis not thy clear-toned speech, although its spread
Has lent its puissant aid in one to weld
Thy divers races :—’tis the faith long held
In common, perils shared by those who bled
To found this sure communion of the quick and dead.

Hail greatest commune in the community
Of nations, central mart and meeting place
Of all who care for Wisdom, Truth and Grace,
Hail Parthenon of Justice, Liberty
And Brotherhood, to whom all suffering peoples cry.

And now thy long-drawn agony is o’er,
From Dunkerque’s dunes to Verdun’s rolling downs,
High o’er thy ransom’d fields and martyred towns
Free as the heavens floats thy tricolour,
While Peace doth to thy arms long-lost Alsace restore.

To thee all Nations, whether small or great,
Now turn their gaze, for from thy fruitful breast
Shall come, O brooding Mother of the West,
A world-wide peace, that our triumvirate,
America, France, England shall perpetuate.

Source:  Catherine Wl. Reilly “English Poetry of the First World War: A Bibliography” (St. Martin’s Press, New York, 1978) and Find my Past

Saturday, 23 March 2019

Edmund John (1883 –1917) – British poet

Edmund was born in Woolwich, Kent on 27th November 1883. He fought in the First World War, serving with the 28th (London) Battalion (Artist's Rifles) and was invalided out of the Army in 1916.
Edmund died a year later in Taormina, Sicily on 28th February 1917.

Edmund’s poetry collections were:

“The Flute of Sardonyx: Poems” (1913)
“The Wind in the Temple: Poems” (1915)
“Symphonie Symbolique”(1919)

“The Wind in the Temple: Poems” by Edmund Johyn was published by Erskine Macdonald, London in 1915 and was printed by W. Mate & Sons, Ltd., Bournemouth.  It is available as a down-load on Archive: https://archive.org/details/windintemplepoem00john/page/n11

That collection of poems was dedicated to the writer and poet
MAUD CHURTON BRABY

POEMS OF THE WAR pp 51 – 53

1. The Huns. 1914

2. Ave Indi

3. In Memoriam


THE HUNS, 1914

Only the bent ghosts of pain, the grey phantoms of fear
Inhabit the desolate streets in the silence, and peer
Out from the charred, blackened windows. No more than the breath
Of the fresh fields shall stir the drawn lips of the dead whose blood dyes
Their own hearths, where from out the spent ashes dim spirals yet rise
Like the smoke of dark incense that burns on the Altars of Death.

All the prayers are stilled ; there is blood in the holy place.
And over the lintels, and splashed on the pale, lined old face
Of the dead peasant woman who lies where the hollyhock blows.
And blood on the breasts of the maiden who yesterday smiled.
And blood on the white broken body of each flower-like child.
Like red wme that is spilled on a petal of some fallen rose.



And blood there shall be on the throats of the devilish throng.
And an eye for an eye, and for every unnameable wrong
Anguish and death and despair shall find out a reward.
Lo, the clamour of battle is calling to all who are men
To succour the helpless, and vanquish and drive to their den
The murdering Huns who have drawn and shall die by the sword.

(p. 51)


AVE INDI

The West is grey, and pale with sweat of pain,
Save where the flicker of a funeral pyre
Stabs the dull pallor with fine jets of fire.
And ashen cheeks are grim with some dark stain.

Gold is the East, and bright the Indian sea ;
And princes of a race that knows no fears
Pour out their treasures of a thousand years,
And call to battle all their chivalry.

For lo, at last the East and West have met,
In splendid friendship sealed by splendid blood ;
So shall they conquer death and stem the flood
That seethes from hell — and heaven shall not forget !

For every tortured child, and all the shame
Of women slain, the Indian hosts shall bring
Bitter reward ; and through God's halls shall ring
Their mighty vengeance and eternal fame.


(p. 52)



IN MEMORIAM

(To Field-Marshal Lord Roberts of Kandahar, obiit November, 1914)

Rest, though the clamorous surge of war
Follow thy peace to the great doors of Death ;
As in thy fearless life, so now, the cannons' roar.
The roll of drums, at thy last breath

Proclaim thee Conqueror !
The prophets and the warriors who have passed
That way before thy coming, welcome thee ;

The Angel's trumpet sounds a nobler blast,
And kings and knights of the old chivalry
Now hail thee at the last.

Thy days, thy deeds, thy words of proven gold.
Thy son, and last of all, thyself didst give
For Country's sake ; and now the tale is told
Thy splendid memory shall breathe and live
Till all men's hearts lie cold.

Here is a review from “The Southport Guardian," of September l0th, 1913 about “The Flute of Sardonyx”

“Mr. Edmund John is one of our new singers. His first book
on its first appearance made a great stir. ..." The Flute of
Sardonyx " contains much of performance and even more of
promise. . . . He has a rare sense of colour and a strong sense
of words ; his verse pulsates with passion and with life. With
him to live is to love ; and to love is alternately to smile and
to sorrow — and he expresses the joy and the pain with equal
feUcity and fervour. . . . Here in these poems is the spirit of
song, the passion of youth, the seductive colour of life, and all
the throbbings of hope and desire . . . this book will ensure
a critical welcome to Mr. John's future work. Here, at any
rate, is a singer — and a singer who is not afraid to sing his own
songs in his own way.”

Sigourney Thayer (1896 – 1944) - American theatrical producer, World War I aviator, and poet.

Sigourney was born on 24th March 1896 in Southborough, Worcester County, Massachusetts, USA.  His parents were The Reverend William Greenough Thayer (1863 – 1934) , headmaster of St. Mark's School from 1894–1930, and his wife, Violet Thayer, nee Otis. Sigourney’s siblings were:
Violet Otis Parker; William Greenough Thayer, Jr.; James Appleton Thayer; Robert Helyer Thayer, who became a lawyer, naval officer and diplomat, Margaret Suydam; and Major John Otis Thayer, O.B.E.

During the First World War, Sigourney enlisted in June 1916 and first served on the American-Mexican border.   He then served as a  Lieutenant and pilot in the 1st Operations Group.

In later life, Sigourney became an executive at Vultee Aircraft.

In the 1920s and 1930s, Sigourney became a theatrical producer. He produced "ast Night of Don Juan: The Pilgrimage" (1925), "Beau-Strings" (1926), "Damn the Tears" (1927), "Bridal Wise" (1932), and "Keeper of the Keys" (1933).

In December 1928, Sigourney married Emily O'Neill (née Davies) Vanderbilt (1903–1935) of Manhattan (who had divorced William Henry Vanderbilt III earlier that year. Emily was the daughter of Frederick Martin Davies, granddaughter of Daniel O'Neill, owner of the Pittsburgh Dispatch newspaper, and the great niece of Frederick Townsend Martin, a prominent writer of the 1920s.Their marriage lasted less than a year.

In April 1931, Sigourney married Mary "Molly" Van Rensselaer Cogswell (1902–1983), daughter of Cullen Van Rensselaer Cogswell of Manhattan, and great granddaughter of General John Cullen Van Rensselaer. The couple had a daughter. Mary worked as a columnist for the “New York Journal”, using the pen-name "Madame Flutterby".  She wrote the first biography of Jacqueline Bouvier Kennedy, which was published by Doubleday in 1961.

Sigourney died on 2nd November 1944 in a car accident in Allentown, Pennsylvania, and is buried in Southborough Rural Cemetery, Southborough, Worcester County, Massachusetts, USA – Grave reference: Section 1B, Lot T
Memorial ID: 18081510

Sigourney wrote regular poetry for the magazine “Atlantic Monthly”, and his poem, "The Dead" was published in numerous WW1 poetry anthologies.


“The Dead”

I feared the lonely dead, so old were they, --
Decrepit, tired beings, ghastly white,
With withered breasts and eyes devoid of sight,
Forever mute beneath the sodden clay;
I feared the lonely dead, and turned away
From thoughts of sombre death and endless night;
Thus, through the dismal hours I longed for light
To drive my utter hopelessness away.

But now my nights are filled with flowered dreams
Of singing warriors, beautiful and young;
Strong men and boys within whose eyes there gleams
The triumph song of worlds unknown, unsung;
Grim death has vanished, leaving in its stead
The shining glory of the living dead.

https://www.ibdb.com/broadway-cast-staff/sigourney-thayer-9971

https://www.geni.com/people/Lieutenant-Sigourney-Thayer/6000000018986947868
https://www.geni.com/people/Rev-William-Greenough-Thayer-Twill/6000000027543098211

Catherine W. Reilly “English Poetry of the First World War: A Bibliography” (St. Martin’s Press, New York, 1978)

Thursday, 21 March 2019

Francis Bourdillon (1852 – 1921) – British Poet and Translator

Francis William Bourdillon was born in Runcorn, Cheshire on 22nd March 1852.  His father was the Reverend Francis Bourdillon, an Anglican Church priest, and his mother was Sophie Bourdillon, nee Holland.  In 1861 The Rev. Bourdillon was Rector of Woolbeding Church in Sussex.   Francis had two brothers – Gerard, b. 1854 and Bernard K., b. 1856.

Educated at Haileybury and Winchester Colleges, Francis went on to study at Oxford University.  He became private tutor to the children of Prince Christian of Schleswig-Holstein.

Francis married Agnes Watson Smyth in 1882 and the couple had three children. Francis and his family retired to Sussex where he died in 1921.

Perhaps his most famous poem is "The Night Has a Thousand Eyes":

The night has a thousand eyes,
 And the day but one;
Yet the light of the bright world dies
 With the dying sun.


The mind has a thousand eyes,    
 And the heart but one;
Yet the light of a whole life dies
 When love is done.

From: Edmund Clarence Stedman, Editor (1833–1908).  “A Victorian Anthology, 1837–1895” (Riverside Press, Cambridge, 1895)


Francis Bourdillon’s WW1 poetry collections were:

“Christmas Roses and Other Poems for Nineteen hundred and Fourteen” (Humphreys, London, 1914)

“Easter Lilies and Other Poems for Nineteen Hundred and Fifteen” (Humphreys, London, 1915)

“Russia Re-born and Other Poems” (Humphreys, London, 1917)

and

“A Hymn of Hope for the League of Nations” (S.P.C.K., London, 1919).

Francis had poems published in sixteen WW1 poetry anthologies.

“Here: and There September, 1914”

Here

Soft benediction of September sun;
Voices of children, laughing as they run;
Green English lawns, bright flowers and butterflies;
And over all the blue embracing skies.

There

Tumult and roaring of the incessant gun;
Dead men and dying, trenches lost and won;
Blood, mud, and havoc, bugles, shoutings, cries;
And over all the blue embracing skies.

 F. W. Bourdillon.

From J. W. Cunliffe, Editor “Poems of the Great War” (The Macmillan Company, New York, 1916)

https://greatwar.digitalscholarship.emory.edu/poetry/cunliffe/

Francis William Bourdillon featured in the Poets of Merseyside exhibiton at The Wilfred Owen Story, Birkenhead, Wirral, UK.  There is a book of the exhibition – “Merseyside Poets, Writers & Artists of The First World War”, available from  http://www.poshupnorth.com/

Wednesday, 20 March 2019

Edmund John (1883 – 1917 ) – British poet

Edmund Arthur Cyril John was born in Woolwich, Kent, UK on 27th November 1883.  According to his military record,  Edmund joined the 28th (London) Battalion (Artist's Rifles) in 1915.

He was invalided out of the Army in 1916 and died a year later in Taormina, Sicily on 28th February 1917.

Edmund’s poems were published in  " The English Review," " The British Review," " Colour," " The Gypsy," and  ' The Anthology of Trees."

His WW1 poems were published within his collection “The Wind in the Temple: Poems” (Erskine Macdonald, London, 1915) pp. 51 - 53:

POEMS OF THE WAR

1. The Huns. 1914   2. Ave Indi  3. In Memoriam


THE HUNS, 1914

Only the bent ghosts of pain, the grey phantoms of fear
Inhabit the desolate streets in the silence, and peer
Out from the charred, blackened windows. No more than the breath
Of the fresh fields shall stir the drawn lips of the dead whose blood dyes
Their own hearths, where from out the spent ashes dim spirals yet rise
Like the smoke of dark incense that burns on the Altars of Death.

All the prayers are stilled ; there is blood in the holy place.
And over the lintels, and splashed on the pale, lined old face
Of the dead peasant woman who lies where the hollyhock blows.
And blood on the breasts of the maiden who yesterday smiled.
And blood on the white broken body of each flower-like child.
Like red wme that is spilled on a petal of some fallen rose.

And blood there shall be on the throats of the devilish throng.
And an eye for an eye, and for every unnameable wrong
Anguish and death and despair shall find out a reward.
Lo, the clamour of battle is calling to all who are men
To succour the helpless, and vanquish and drive to their den
The murdering Huns who have drawn and shall die by the sword.


AVE INDI



The West is grey, and pale with sweat of pain,
Save where the flicker of a funeral pyre
Stabs the dull pallor with fine jets of fire.
And ashen cheeks are grim with some dark stain.

Gold is the East, and bright the Indian sea ;
And princes of a race that knows no fears
Pour out their treasures of a thousand years,
And call to battle all their chivalry.

For lo, at last the East and West have met,
In splendid friendship sealed by splendid blood ;
So shall they conquer death and stem the flood
That seethes from hell — and heaven shall not forget !

For every tortured child, and all the shame
Of women slain, the Indian hosts shall bring
Bitter reward ; and through God's halls shall ring
Their mighty vengeance and eternal fame.


IN MEMORIAM  (To Field-Marshal Lord Roberts of Kandahar, obiit November, 1914)

Rest, though the clamorous surge of war
Follow thy peace to the great doors of Death ;
As in thy fearless life, so now, the cannons' roar.
The roll of drums, at thy last breath
Proclaim thee Conqueror !

The prophets and the warriors who have passed
That way before thy coming, welcome thee ;
The Angel's trumpet sounds a nobler blast,
And kings and knights of the old chivalry
Now hail thee at the last.

Thy days, thy deeds, thy words of proven gold.
Thy son, and last of all, thyself didst give
For Country's sake ; and now the tale is told
Thy splendid memory shall breathe and live
Till all men's hearts lie cold.


From: https://archive.org/stream/windintemplepoem00john/windintemplepoem00john_djvu.txt

Karl Stamm (1890 - 1919) - Swiss Poet

Karl Stamm was born on 29th March 1890 in Wädenswil, Canton of Zurich, the sixth of nine children. His father came from Schaffhausen and ran a china shop.  Karl lost his mother and his favourite brother at an early age - the deaths overshadowed his childhood and later influenced and inspired his poems.

At an early age, Karl demonstrated an aptitude for drawing and writing. He completed a teachers training course at the teacher training college in Küsnacht in 1906. There he met Eduard Gubler, who went on to achieve fame as an artist. From 1910 to 1914 Karl worked as a primary school teacher in Lipperschwändi, Bauma before moving to Zurich in 1914.

When war broke out in 1914, Karl was called up to military service and served in the Swiss Army at the Swiss border. His initial patriotic enthusiasm later gave way to deep sympathy for the suffering of those involved in the conflict. After suffering a nervous breakdown and spending a long time in hospital, he was discharged from military service in 1917. Karl died in Zurich on 21st March 1919 of the Spanish flu.

Photo:  Karl Stamm, 2nd from left, on a trip organised during his time at the teacher training college in Küsnacht. To his left is Karl’s friend Eduard Gubler – photographer unknown.

Portrait of Karl Stamm by Eduard Gubler.

https://de.wikipedia.org/wiki/Karl_Stamm

“Schlachtfeld” (Tr. Battlefield) by Karl Stamm

Schollenmürbe schläfert ein das Eisen
Blute filzen Sickerflecke
Roste krumen
Fleische schleimen

Saugen brünstet um Zerfallen.
Mordesmorde
Blinzen
Kinderblicke.

First published in "Der Sturm", Nr. 19/20, 1/ 2 January1915

"Der Sturm" (Tr. The Storm) was a German art and literary magazine published between 1910 and 1932

Works by Stamm:

Der Aufbruch des Herzens by Karl Stamm( Book )

12 editions published between 1919 and 1925 in German and English and held by 51 WorldCat member libraries worldwide

Dichtungen by Karl Stamm( Book )

6 editions published in 1920 in German and Undetermined and held by 36 WorldCat member libraries worldwide

Aus dem Tornister by Karl Stamm( Book )

6 editions published in 1915 in German and held by 27 WorldCat member libraries worldwide

Dichtungen : Gesamtausgabe by Karl Stamm( Book )

5 editions published in 1920 in German and held by 26 WorldCat member libraries worldwide

Das hohelied : lyrische Dichtung by Karl Stamm( Book )

4 editions published between 1913 and 1918 in German and held by 24 WorldCat member libraries worldwide

Die Kinder im Schlaraffenland by Hans Witzig( Book )

14 editions published between 1917 and 1960 in German and Undetermined and held by 17 WorldCat member libraries worldwide

Briefe by Karl Stamm( Book )

5 editions published in 1931 in German and held by 13 WorldCat member libraries worldwide

Lieder nach Gedichten von Karl Stamm, für eine Singstimme mit Klavierbegleitung by Walter Schulthess( )

3 editions published in 1967 in German and held by 12 WorldCat member libraries worldwide

Briefe von Karl Stamm by Karl Stamm( Book )

2 editions published in 1931 in German and held by 9 WorldCat member libraries worldwide

Karl Stamm by Karl Stamm( Book )

3 editions published between 1940 and 1942 in German and held by 7 WorldCat member libraries worldwide

http://www.worldcat.org/identities/lccn-no93028040/


Geoffrey Dearmer LVO (1893 –1996) - British poet

Geoffrey Dearmer was born in Lambeth in London, UK on 21st March 1893.  His parents were Anglican Church priest, liturgist and hymnologist, Percy Dearmer  who became Canon at Westminster Abbey, and and his wife, Mabel Dearmer, nee Pritchard White, who was a writer and artist.  Geoffrey had a brother -  Christopher – who was born in 1894.

The Dearmer family were friends with Kathleen Scott, the sculptor and widow of Robert Falcon Scott (known as Con), the Antarctic explorer.  Geoffrey wrote poems to Kathleen and they used to go dancing together.  When war broke out in 1914, both the Dearmer boys were studying at Christ Church College, Oxford University.  They volunteered and Geoffrey was commissioned and served with the London Regiment at Gallipoli and on the Western Front during The Somme Offensive. Christopher became a pilot with Royal Naval Air Service (RNAS) and died of wounds received while serving in Gallipoli in 1915. Geoffrey was appointed a Lieutenant in the Royal Victorian Order (LVO).

In 1915, the boys’ father Percy Dearmer volunteered as a Red Cross Chaplain and he and his wife went to Serbia, joining the Third Serbian Relief Unit. Mabel served as a nursing orderly.  Mabel contracted enteric fever (typhoid) in June, and died on 11th July 1915. Her letters were posthumously published as “Letters from a field hospital. With a memoir of the author by Stephen Gwynn”.  See https://inspirationalwomenofww1.blogspot.com/2014/04/mabel-dearmer-1872-1915.html

From 1936-1958 Geoffrey was Examiner of Plays in the Lord Chamberlain's office.  In 1936, Geoffrey married Margaret Proctor and they had one daughter.

Geoffrey died on 18th August 1996 in Birchington, Kent, at the age of 103.

Geoffrey’s WW1 poetry collections were “The Day’s Delight: Poems” (Murray, 1923) and “Poems” (Heinemann, 1918).  His poems were published in nine WW1 poetry anthologies.

In 1997, The Geoffrey Dearmer Award for new poets was founded in his memory.

Geoffrey was one of the poets featured in the Exhibition of Poets, Writers & Artists of the Somme, held at the Wilfred Owen Story in Birkenhead, Wirral, UK in July 2016. 

Sources:

“A Task of Great Happiness: The Life of Kathleen Scott” by Louisa Young (Macmillan, London 1995)
“English Poetry of the First World War: A Bibliography” by Katherine W. Reilly (St. Martin’s Press, New York, 1978)

Photograph of Geoffrey photographer unknown.

NOTE: Royal Victorian Order LVO AND RVO

The Royal Victorian Order is a British dynastic order of knighthood established in 1896 by Queen Victoria. It recognises distinguished personal service to the monarch of the Commonwealth realms, members of the monarch's family, or to any viceroy or senior representative of the monarch.  The present monarch, Queen Elizabeth II, is the sovereign of the order, the order's motto is Victoria, and its official day is 20th June. The order's chapel is the Savoy Chapel in London.

Prior to 1984, the grades of Lieutenant and Member were classified as Members (fourth class) and Members (fifth class), respectively, but both with the post-nominals MVO. On 31st December of that year, Queen Elizabeth II declared that those in the grade of Member (fourth class) would henceforth be Lieutenants with the post-nominals LVO.